Mr. Holmes

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Newsflash: Ian McKellen is really good!

In this film, Sir Ian portrays Sherlock Holmes as the aged and forgetful beekeeper as well as the younger and relentless observer. The transition between the two Sherlocks is seamless and the reasons for each flashback are left to us to figure out as the film progresses. Each segment of this picture is meaningful and relevant as Holmes is burdened by the regret of an unsolved case.

Despite his failing memory, Holmes’ ability to survey and draw conclusions remains unwavering.

Milo Parker’s debut as Roger, the inquisitive and bright-eyed son of Holmes’ caretaker, was noteworthy. As was the skepticism and disapproval of the boy’s mother, played by a flawless Laura Linney.

Well placed humor and Old English dialect have the viewer engulfed in meaningful dialogue, a refreshing idea, as we gain insight into growing old and molding legacy.

There is no mystery in this review. Mr. Holmes was great, worthy of 4 napkins out of 5. Now, I just need to solve the mystery of that spilt milk!

What We Do In the Shadows

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The scene from Flight of the Concords portrayed by my costume (see photo) is where Jemaine confronts racial stereotyping at the apple stand by saying, “I’m a person. Bret’s a person. That person over there’s person.”

This subtle, monotone and perfect humor is stamped all over Shadows as vampire roommates explore the trials that accompany such a living situation. For example, the characters prep for the Unholy Ball hampered by the inability to see their reflection. To resolve this unfortunate issue, each draw hilarious impressions of the others on paper.

The creativity Clement and Waititi displayed by folding their specific humor into a genre infrequently associated with humor is genius. I was also terribly excited to see Rhys Darby cameo as Anton, the leader of the werewolves.

I cannot express enough superlatives for this picture. It is a refreshing and light-hearted comedy with uncanny writing and bright humor amidst the darkness. What We Do In the Shadows levitates to legendary Film Clas status wiping up blood stains with 4.8 napkins out of 5.

(photo credit to Meg Bouhabib)

Southpaw

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Who titles a film Southpaw about a boxer who doesn’t fight southpaw? I mean, I get why after seeing the film but…really?

Jake Gyllenhaal overacts throughout as Billy “The Great” Hope with the entire cast following suit and the whole lot of them fail to present anything persuasive. Curtis “50 Cent” Jackson as the promoter was amateurish, forced and untimely. Who wrote this film?!

The story was ridiculous and the father/daughter drama not compelling.

Forrest Whitaker saves the film, barely. He corrals Billy, who is an insult to anyone with an ounce of boxing savvy, whilst dealing with the usual personal issues. Cliche, yes, but in this film, welcomed.

Southpaw is a punch in the face to good writing, storytelling and acting. Throw in the towel Mr. Fuqua as this film scores 0.75 of a napkin out of 5, the least of any film rated so far on Film Clas.

Inside Out

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In the vast catalogue of Pixar genius, it is ironic that a film about the brain might register with the lowest IQ.

And I think it is because it was relatable.

A little girl and her struggle with expressing her emotions is truly compelling but, well, human. You might say it is the characters inside her head which take center stage but I answer with the fact that they were still human emotions. Think, for a second, of what we are invariably comparing this film to: a cute little fish, some bugs, bedroom toys, a rat chef, robots, a superhero family and some monsters.

I did, however, enjoy the undeniable Pixar trait of adult humor amidst a children’s movie like the playful jab at the San Francisco foodie scene.

Yet, if it weren’t for Sadness, this film would be blue. I cannot foresee too many kids making space between their Sully and Nemo toys for Bing Bong. Therefore, Inside Out stirs up mixed emotions and a pedestrian 2.4 napkins out of 5.

Jurassic World

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Somewhere, amidst the apartments.com puns or possibly under the paperwork associated with the living will of Madame D, Jeff Goldblum is confused for the very first time in his life. You see, he just saw Jurassic World and can only muster, “well, there it is.”

This film is, for lack of a better word, stupid. Cue the Indominus Rex. However, it has exciting moments especially when the aviary pops a leak. The nods to the original film were nostalgic yet strategically placed to remind people, like myself, of a film infinitely better than this one. Therefore, my feelings regarding this picture straddle a line between enthusiasm and embarrassment.

There was so much potential here. I saw the Barbasol can in the rain but it was just a commercial for, well, Barbasol. They should have brought Dodgson and Biosyn back. But hey, Trevorrow thought Chris Pratt training raptors with a clicker was more appealing. Thanks Colin.

Jurassic World is a must see but with very low expectations. There is no need to hold onto your butts as it only sinks its talons into 2.9 out of 5 napkins.